A query from a self-published pundit.

Sep. 18th, 2017 10:44 pm
reddragdiva: (party)
[personal profile] reddragdiva

My Bitcoin pundit career is going great guns! I got to go on BBC Newsnight and call cryptocurrency garbage. Don't ever buy into cryptos, btw, they're a car crash. Trust me, I'm an expert.

Soooo I just got a note inviting me to speak at a seminar, about why blokechain is pants, to a small number of people who have money. I'm gonna charge for my time of course, but I can sell books there. Which means physical paperbacks I bring in a box.

Now, one of the great things about this self-publishing racket in TYOOL 2017 is 0 capital expenditure. Has anyone here done this, or anything like it? Was it worth it? Did you end up with a box of books under your bed forever?

The books are $3.03 each to print, but all author copies come from America (because Createspace is dumb), at some ruinous shipping rate to the UK. Assuming Kindle and CreateSpace pay promptly I'll have a pile of money on September 30, but I sorta don't right now.

Does anyone have suggestions as to how to approach this? Doing a talk with a box of nonfiction books - good idea, bad idea, no idea?

(I'll no doubt do a pile of flyers for people who haven't got cash on them right there. Who carries cash in the UK these days? Less people than you might think.)

V&A, tamara

Sep. 18th, 2017 12:00 am
ruthi: a photograph of a dormouse eating a berry (Default)
[personal profile] ruthi
Today I went to the V&A,to see tamara, whom I had not seen in a while.


We took a tour that was especially for London Design Festival, so it took in several different installations, some of which are in conversation/reaction to pieces in the Museum. And because there were several different ones in different places and themes, the tour - and we - went over a wide range of the museum, from the Raphael galleries (where there were dancing robots!) to the glass galleries, the ceramics, furniture, via a gallery of paintings to see tapestries and a reaction to the tapestries, and to an opera display, and an installation of blue light and red light, so many things! It was about an hour and a half and had a lot of walking and climbing stairs and so on. "My fitbit will be happy", Tamara said.And so it was.
There were two guides, the one we got was called Dan Nuvo, (like the art, he said). He pinged gay (and then he made a skipping leg day joke and I was sure) and later in the Ceramics gallery he pointed out a display of a rainbow of glazes that was installed by a gay man, and said that he did the LGBT tour in the V&A, on the last Saturday of the Month at four, Derek do you want to go?

Anyway, the museum is huge and it was nice to see so much of it. And it was good to see tamara and do an thing with her.
We exited through Exhibition Road, there is a new! Shiny! entrance there that I had not seen before . I came in through the Cromwell road entrance. Then made her come and find me under the Chihuli chandelier.

After, we travelled together to Liverpool Street station, and met Nicole (or possibly another name, I am bad at names). She's doing comms for the concom. She was friendly and polite. Apparently she had slightly alarmed some police officers earlier by being friendly and polite at them. People don't seem to understand that in a big crowded city, ignoring people is the best way one can give them space.

(no subject)

Sep. 17th, 2017 02:14 am
ruthi: a photograph of a dormouse eating a berry (Default)
[personal profile] ruthi
On Saturday I went out to see "God's Own Country" which is also known around these parts as Brokeback Yorkshire. (These parts being both friends' brains and the internet).

I twote about it a couple of times after seeing it mentioned and seeing the trailer, and the director of the film and the producer of the film have both retweeted me.

There was much Yorkshire, and [personal profile] apiphile said it was "graphically farming and graphically gay" which is accurate.

(those mean there are scenes with dead animals in them, and there are scenes with pretty graphic gay sex)

*

I went to see Much Ado About Nothing at the Globe with Random, because she had a spare ticket. We had awful seats and then realised that where we were sitting was actually a continuation of the bench all the way to the wall, and the actual marked seats had a better view - we moved to the actual seats during the interval.
I liked the Beatrice, she was charming and funny. I also liked the bright costumes.

(I think I nodded off at one point, so still low energy/ not enough stamina for an play, but if I'm sitting down I can just do that and not be in anyone's way - and then I wake up and keep watching, I don't get the huge energyy drop from trying to stay standing up)

*

(Today I looked at the BBC iplayer website, and BBC Alba had Oran Na Mara/Song of the Sea - that beautiful animated film - available. But it is dubbed in language I do not understand - Scottich Gaelic, perhaps? and no English subtitles, either.
It's still very pretty.

*

I went looking through the iplayer films and they had Pedro Almodovar's 'I'm So Excited' Which is on an airplane that has a fault in its landing gear so instead of flying to Mexico is circling Toledo, waiting to get a place to land. It is full of sex and alcohol and drugs, some - especially the drugs - non-consensually, and it is very very silly. Everyone on economy is given 'muscle relaxants' and is fully asleep for the entire flight, for example. This is very very silly and also unethical and impossible. They all wake up fine for the landing and evacuation. This is also impossible. It's taking itself about as seriously as a eurovision song. Once I totally accepted that mindset, I enjoyed it. (Also there is a suicide attempt that is averted - person is about to, phone rings, they don't - but they are shown walking onto an ambulance, to be hospitalised).
The mood is light, there are bright colours, cheerfulness, and a happy ending.

*

A debris field

Sep. 11th, 2017 02:11 am
sci_starborne: Sign of the Fox (Default)
[personal profile] sci_starborne
I had intended to purposefully avoid relationships for the foreseeable future, as I feel I do not value my own desires enough and so I ignore them in relationships, breeding resentment. It is not anothers responsibility to draw that out of me.

What desires do I even have? I feel dead.

I feel embarassed that some months back, despite this I flirted with a friend of mine because I thought they were attracted to me. I think myself so inherently worthless that I cannot pass up any chance for a relationship, because what are the odds someone else will want me. No matter how bad it might be.

I feel old. I feel guilty for finding people younger than me attractive. I justify it by the rationale that relationships with notable age differences are ripe ground for abuses of power from relative levels of life experience, income or personal utility as well as life goals. But as someone who has always been introspective, learning more than most from experiences, who for his age is of limited utility, income and maintains a close connection to current events, I wonder if I'm not just using it as an excuse to avoid people thinking I'm some sort of predator.

I feel miserable. I do not currently have the capacity to feel emotional investment in anyone. Every learnt-response to go to someone in pain is now fear and revulsion. Every bit in the last few months has been painfully forced. I wonder how this would combine with my inability to form long-term relationships anyway.

I was always told it's what's inside someone that counts. And I still beleive it, but it makes me feel guilty for not finding men attractive. Knowing so many people in varying stages of transitioning between sexes is helping determine what it is about someone that makes them appear attractive to me and how much of it is gendered.

My sense of attraction is fragmented. I'm attracted to styles, expressiveness, personalities and certain physical characteristics. But they are all seperate. One or another, never together. And as such it feels shallow and broken. I do not currently know how to bring them together.

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